I just watched “Diving Deep: The Life and Times of Mike deGruy,” a documentary about an ocean filmmaker, scuba diver, deep-sea explorer and entertaining storyteller. I had heard of Mike through the many ocean documentaries I’ve watched over my lifetime, and his infectious enthusiasm for the ocean is unforgettable. He may be recognizable to Shark Week enthusiasts as a host.
The documentary is thourough, starting with Mike growing up exploring the bayous of Mobile, Alabama with his 3 brothers. They were all springboard divers, and Mike’s father’s movies of them diving was one of the many ways Mike was introduced to filmmaking.
He was daring and brave to dive in some of the places he did, like Antarctica and during a white tip reef shark feeding frenzy despite being attacked on the arm by a shark earlier in his life. Mike even dove into the deep sea in deep submersible subs and suits. He was a true explorer who championed for all that is in the ocean, new and old.
Mike was upset that more people didn’t share his enthusiasm for all things ocean, and that corporations would choose profits over exploring. For example BP and the Deepwater Horizon spill in the Gulf of Mexico. It was in his childhood backyard so to speak, and he was very angry about the oil spill from when it happened to years later when we still don’t know the effects of the chemical dispersants used due to lack of scientific funding.
Mike deGruy died in a helicopter crash (February 4, 2012) while going to film James Cameron’s world record setting dive down to the Marianas Trench. An amazing life was cut short but his 30 years of film documentaries lives on.
I saw “Diving Deep: the Life and Time of Mike deGruy” through the International Ocean Film Fest, running through August 9, 2020. It’s available to watch by donation.
Here’s one of his free TED talks, Hooked by an Octopus:
Here’s the documentary’s website Diving Deep”
I just watched Sharkwater: Extinction (2018) a documentary that stars shark and ocean conservationist Rob Stewart. It’s the sequel to Sharkwater, which came out in 2007. According to the Sharkwater.com biography on Rob, his documentaries along with his activism, has saved 1/3 of the world’s sharks.
But sadly, I learned that 150 million sharks are killed a year, double the 73 million sharks a year number I heard many years ago. Sharks are killed not just for the shark fin trade anymore—shark can be found in cosmetics as squalene or squalane, in pet food or livestock feed and in the “fish” sold in stores and restaurants. Much of the fish in sold in stores is mislabeled, or in the case of shark intentionally mislabeled (maybe by the distributor or fisherman) so consumers will buy the product. It’s dangerous to eat shark because they are full of toxins like mercury. It’s recommended that pregnant women and children don’t eat shark because of that.
Rob and his cameraman got great footage of two sharks still alive in a gill net, but about to meet certain death. They were not able to save the sharks, but their footage helped convince legislators in California to ban gill nets in 2018. Gill nets can be miles long and are made of a clear monofilament that practically disappears underwater. Large animals such as sea turtles, sharks, whales and seabirds swim into the net and get stuck. All the above animals, except most sharks that need to keep swimming to get oxygen, need air to breathe. These caught animals drown before the fishermen pull the nets up.
Gill nets are used in target fisheries, such as for swordfish. Anything not a swordfish is considered bycatch. According to Oceana, an ocean conservation non-profit, up to 63 billion pounds of bycatch is caught every year and thrown back into the ocean. When Rob made Sharkwater: Extinction in 2016, it was only estimated to be 54 billion pounds. Sadly bycatch numbers are up. As is the sobering possibility that by 2050, there will be more plastic and trash in the ocean than fish.
It’s a sad documentary to watch in general, because much of the documentary is footage of shark fins or dead sharks. But there is enough footage of Rob swimming with sharks to be inspiring. The end is sad because Rob passed away before the documentary was complete, and his death completed it. He had been using a rebreather, which is advanced diving, while scuba diving off of Florida. He was looking to film a sawfish in the wild. A rebreather is great for filming wildlife because it produces no bubbles. Instead the carbon dioxide you breathe out is scrubbed out and you breathe in clean oxygen.
The ending montage made me cry, and not just because Rob had died. It’s his moving words that are inspiring. Thanks to his documentaries, his legacy will live on in shark conservationists worldwide. Please visit Sharkwater.com and read, 10 Easy Ways to Save Sharks and watch on Amazon Prime for free (if you’re a subscriber).
“Moana” is a coming-of-age story of a girl from a South Pacific island called Motunui. She is the daughter of her village’s chief. She is chosen by the ocean (and guided by her grandmother) to return the green stone heart of Te Fiti, an island goddess. One thousand years ago the demi-god Maui stole the heart, which gives birth to life itself, for his people but instead spread darkness. The island goddess becomes a lava monster. It is up to the modern-day Maui and Moana to return the stone heart after the fish disappear from her island, and coconuts are found spoiled.
My 7-year-old daughter and I both enjoyed “Moana,” though she didn’t like the scenes with the lava monster, which looks like it belongs in Middle Earth (the Hobbit and Lord of the Rings world). As a marine biologist I was disappointed that there were not more marine animals depicted in the movie. I was very happy that one of my favorite animals, the manta ray, has a prominent role.
Moana’s sidekicks are decidedly terrestrial, a piglet and a dumb but comical rooster. It’s true that the open ocean is often called a “biological desert,” but it would have been nice if Disney could have celebrated the diverse life that does live in the ocean. I was hopeful after the scene with a toddler Moana in which she helps a baby sea turtle make it to the ocean, and she looks into the ocean, which parts like an aquarium for her. I was happy though to see South Pacific culture celebrated with song and homages to their wayfaring ancestors. And there is no prince in the movie for Moana to chase after, a first for a Disney “princess” movie.
Disney does show the power of the ocean, from thunderstorms creating big waves that overwhelm Moana’s boat, to Moana being thrown into the ocean deliberately and by accident. A good portion of the movie (at least half?) is just Maui, Moana and the rooster Heihei on Moana’s boat. I would not recommend this movie to toddlers, as during solo songs and other dialogue-driven scenes, the toddler behind me would kick more and his younger brother would cry. There aren’t any unnecessary scenes, it’s just that there is a lull at times.
I was surprised that the relationship between Maui and Moana isn’t more cordial initially, but the story grows in intensity as their relationship becomes stronger and friendly.
I didn’t especially like the scene in which Moana and Maui go to the realm of (unrealistic at least) monsters and steal back Maui’s magical fish hook. The fish hook is pivotal to the story, as it allows Maui to transform into different animals to fight the lava monster. The hermit crab is strange, and I didn’t really hear the lyrics as I was worried about our heroes getting the fish hook. The monsters aren’t realistic with their neon colors and fantastical design, but could still scare young children.
In short, I enjoyed “Moana” and would recommend it to any Disney movie fan. Ocean lovers will appreciate the reverence shown to the ocean. Just don’t expect “The Little Mermaid” when it comes to animals. Almost all of the action occurs on the water, not below.
What did you think of Moana?